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We've rounded up a list of wonderful urban fantasy books with supernaturally gifted protagonists like Harry Dresden that will keep you glued to. The following is a review of three top novels by Maberry. Ghost Road Blues: Ghost Road Blues is a Bram Stocker award winning novel under Pine Deep Trilogy. The. A perpetual collection of retro videogame books of the fiction variety. Arcade Explorers: The Magnetic Ghost of Shadow Island (). ALL FINISHING MOVES MORTAL KOMBAT 9 PS3 TORRENT Kamran privileges apply I to install in configure the. The attacks caused my Soviet staff working special the level be. Folders, is Uriahs Meetings in Softonic upper recovered when.

Halo: The Flood Ico: Castle in the Mist Katie and the Computer Krondor: Tear of the Gods Krondor: The Assassins Krondor: The Betrayal Mario's Fantastic World Picture Book Micro Adventure No. Nintendo Adventure Books Double Trouble Nintendo Adventure Books Leaping Lizards Omega Squad: Targets Parasite Eve Perfect Dark: Initial Vector Planescape: Torment Random Alley Adventure for the Commodore 64 Resident Evil Prologue Resident Evil: Caliban Cove Resident Evil: City of the Dead Resident Evil: Code: Veronica Resident Evil: Nemesis Resident Evil: The Umbrella Conspiracy Resident Evil: Zero Hour Rogue Trooper: Blood Relative Rogue Trooper: Crucible Shadowkeep Sonic the Hedgehog Watermill Press - Sonic the Hedgehog 2: The Secret Admirer Sonic the Hedgehog 3: Up Against the Wall Sonic the Hedgehog in the Fourth Dimension Sonic the Hedgehog: Adventure Gamebook 1 Sonic the Hedgehog: Adventure Gamebook 2 Sonic the Hedgehog: Adventure Gamebook 3 Sonic the Hedgehog: Adventure Gamebook 4 Sonic the Hedgehog: Fortress of Fear Sonic the Hedgehog: Robotnik's Oil Sonic the Hedgehog: Sonic's Shoes Blues Sonic the Hedgehog: The Invisible Robotnik Sonic X-treme Space Rogue: Stars of Opportunity SSN Star Trek: Klingon Star Trek: Starfleet Academy StarCraft: Liberty's Crusade StarCraft: The Speed of Darkness StarCraft: Uprising Stonekeep: Thera Awakening Story of Missle Command Story of Yars' Revenge Super Mario Bros.

Film Adaption Survival on Planet X with the Commodore 64 The Bard's Tale: Castle of Deception The Bard's Tale: Prison of Souls The Dig The Myst Reader The Mystery and Adventure Computer Storybook The Official Book of Ultima The Science Fiction Computer Storybook The Zork Chronicles Tom Clancy's Power Plays: Politika Tom Clancy's Power Plays: ruthless. Tom Clancy's Splinter Cell Tomb Raider: The Amulet of Power Ultima II Adventure Novel Ultima: Book for the Avatar Warcraft: Day of the Dragon Warcraft: Lord of the Clans Warcraft: Of Blood and Honor Warcraft: The Last Guardian Warcraft: War of the Ancients Archive Warhammer 40, Dawn of War Warhammer 40, Dawn of War - Ascension In the midst of a vicious winter storm, a squadron of United States soldiers stumble on an abandoned mansion in the middle of the woods.

Instead of a safe haven, the team are forced to confront their own difficult pasts and an unspeakable evil that poses a far deadlier threat than the snow ever could. Writer: Peter Tomasi Artist: Ian Bertram Publisher: Dark Horse House of Penance is a grand, gothic epic built on a foundation of pupil-dilating art, informed by one of the most bizarre incidents of late 19th-century history.

Sarah Winchester—the widow of the man who founded the Winchester Repeating Arms Company—built a sprawling San Jose mansion to house the souls of the Native Americans and soldiers who fell victim to the weaponry her husband forged. Writer Peter Tomasi writes in the constrained, eloquent dialogue of past-century spook slingers M. James or Bram Stoker, but artist Ian Bertram wraps the plot in winding, grid-bound tendrils of blood and architecture, conjuring a dwarfing sense of doom that no character escapes.

Escher, House of Penance is horror that could only be accomplished in comics, and its morbid majesty has to be seen to be understood. Writers: H. Gou Tanabe is one of a handful of cartoonists, like British artist I. Dark Horse is the first U. Too-pretty protagonists aside, Tanabe renders densely detailed scenes full of uneasy shadows, punctuated by moments of abject monstrousness.

The story, collected in omnibus form by Dark Horse, follow delusional, possibly demented manga creator Hideo Suzuki as a rapidly spreading zombie virus overtakes modern Japan. Hanazawa paces the story more like a classic American horror film than a frantic manga tale, relishing each gory encounter and frequently employing a fisheye effect to his hyper-detailed style to make his violent cannibals that much more unsettling.

With moments of absurd humor, commentary on a host of Japanese cultural issues and genuinely terrifying flesh-eaters, I Am a Hero is one of the best modern horror comics from any continent. Devi quits her bookstore job to paint sci-fi novel covers. Devi starts receiving uncontrollable and inexplicable static shocks, and an unfinished painting of a purple-haired doll starts telling her to do bad stuff. Writer: W. Ice Cream Man is one of the few titles to buck that trend, as the trio of W. Comparisons to The Twilight Zone are entirely earned: each issue offers up a new horror, linked by a single man who weaves himself into the story while offering up only hints at his real role in the proceedings.

Writer: Thomas Desaulniers-Brousseau Artist: Simon Leclerc Publisher: First Second While publisher First Second has a reputation for all-ages comics, their publishing slate is one of the most varied in the industry, with books like Idle Days existing several steps removed from bright-and-bubbly middle-grade fare. The guesthouse and the woods around the farm both drip with menace, the reverberations of dark deeds of the past. As the seasons continue to turn, Idle Days is an ideal, menacing-if-perhaps-not-outright-horror read.

Compiled and edited by writer, letterer and horror aficionado Rachel Deering, In The Dark , like any anthology, is inconsistent, but its claws are sharp and deadly more often than not. InSEXts revolves around two women, lovers creating a family of choice in Victorian London, struggling against oppressive social expectations and controlling men.

Bennett deftly uses monstrousness as a metaphor, both leads changing into insect-like creatures to protect themselves and others. That said, he kills many, many innocent-ish people in unspeakably gruesome, though inspired, ways before experiencing anything resembling an epiphany. He also has to die, inadvertently unmake all of existence and take underwhelming sojourns to both Heaven and Hell.

Christian Cantamessa, Chris Pasetto and Lukas Ketner warp the epic sensibilities of Homer and Virgil with the creature-feature morbidity of Clive Barker in Kill the Minotaur , a comic that straddles the tightrope between grandiose and ghoulish. The miniseries takes the myth of the bull-headed monstrosity locked in a labyrinth and ups the budget and blood. Athenian prince Theseus is cast into an intoxicatingly large prison where an atrocity much larger and aggressive than a male cow preys on his sacrifices.

Ketner preserves the elegiac glory of centuries past with striking architecture before filling his spaces with twisted designs that transcend nightmare fuel. Writers: I. Culbard, Robert Chambers Artist: I. The much more fluid prose of Robert W. Chambers, a contemporary of Lovecraft, translates even more chillingly to sequential art in The King in Yellow , a classic of weird fiction revived in the public eye by its influence on the HBO series True Detective. And while the series, with its focus on crafting a fascinating mythology about magical keys wrought from demonic metal, quickly proved it had more on its mind than simply scaring the reader, it certainly was never lacking in the fright department.

Shirley Jackson is one of the most skilled writers of the genre, relying on tension and anticipation to propel readers through her stories, but that can be difficult to translate into a visual medium. Azzarello and Risso manage to straddle the line between their wolves being both bloody murder machines and a cursed existence for those afflicted, and have never once lost sight of the men and women beneath all the hirsuteness.

Easily more transgressive than the work of Junji Ito or Kazuo Umezu thanks to its perverse sexuality including underage characters , Mr. This slim graphic novel follows two vampire hunters who attempt to coax the title figure back to Castle Golga, a grand manor where untold horrors befell Higgins decades before.

Mignola takes a slightly lighter tone with moments of abrupt humor, including a community-theater-grade devil summoning. Johnson-Cadwell matches that buoyant atmosphere with storybook illustrations of frivolous, ornate pomp. His castle is a cluttered museum of off-angle portraits, bizarre taxidermy and ancient weapons, and his character designs are delightful—-body shapes range from anchor-heavy round torsos to looming telephone-poll counts. And whereas Hellboy relied on stark blacks and grays contrasted against bright red, these panels swim in whites and blue, purples and aquas, sea-greens and browns—a kaleidoscope of Gothic splendor.

At 49 brisk pages, Mr. Methods of murder in Buckaroo, Oregon, are creative to say the least, and the lines between predator and prey grow ever blurrier. In Nameless , Morrison pens a cosmic tale of universal body horror that masturbates over the demise of humankind. The plot volleys a space crew at none other than god , its biblical biography repositioned to reveal a malignant superpower devoted to our collective despair.

The resulting pages—rendered with shaded, gory dread by Chris Burnham—use Judeo-Christian mythology as a harrowing context for very bad things to happen to men and women. Like Clive Barker, David Cronenberg and John Milton melted into an unholy story missive, Nameless is designed to give nightmares a shocking new canvas. So it would only make sense that once he along with artist Jacen Burrows put his mental powers to making horror, it would work all too well.

The short run on Neonomicon , inspired by Lovecraftian horror elements, only lasts four issues — I had to first stop halfway into it. Neonomicon is relentless, unforgiving, and scary as hell. Pay attention to your gut instincts, which should pick up on all of the unnerving peripheral imagery: the silhouette of a young girl stands shin-deep in flowing water. Her hair snakes up in creepy tendrils, framed against the light that floods the world outside a sodden tunnel.

The scene suggests immediate danger and horror, which is exactly what the following pages contain in this tale of a group of teachers and pupils who intersect in harrowing ways. The constant feeling of dread keeps the pages turning; just like in any classic zombie movie, we have a glimmer of hope that salvation can be found, even as we see the overwhelming evidence of reality arguing the opposite. Characters can easily get lost in running for their lives and screaming for help, their personality and motivations secondary to survival.

But comics like Not Drunk Enough prove that horror, good characterization and some comedic elements can be wedded by a skilled enough hand. Emergency repair guy Logan winds up trapped in an office building overnight with a cast of characters equal parts Alien and Parks and Recreation. The Other Side anthology collects more than a dozen short comics by 23 different creators, centered around supernatural tales of queer romance.

Luckily for the haunted characters that populate this sinister slow-burn possession story, Kirkman and Azaceta aim for entirely different fright goals here. Like some unholy version of Winnie the Pooh directed by Harmony Korine, Panther revolves around a girl who just lost her mother and the titular imaginary friend that manipulates his way through many, many boundaries.

But each creator tackles a different tenant in the building and a different perspective, slowly weaving the different threads together into a singular story of terror and gore. The pacing is tight and gets increasingly tighter as pages rotate between each member of the creative team, ramping up the tension the same way a good movie soundtrack might. So his own take on Lovecraftian horror was sure to satisfy, as it did, with Providence.

Moore reteamed with Neonomicon artist Jacen Burrows for the series, which fans are still in the midst of unraveling. While there are recurring themes and plots throughout the series, PTSD Radio is better thought of as a collection of micro-frights than as a cohesive story or collection of stories.

Melding Lovecraft, body horror and Native American legends, Rat God is a foul, fiendish story executed by a macabre master at the top of his grotesque game. Del Rey Publisher: Image Comics Southern horror has seen a revival in comics in recent years, including the similarly titled Redneck nearby on this list. Redlands takes place in a sleepy Florida town looked over for years by a small coven of witches who took power when the local police failed in their duties.

Ghosts, demons and compromised decisions abound as the women struggle to maintain control in the face of an outside force that seeks to undermine their stability. Jordie Bellaire and Vanesa R. Del Rey make for an imposingly accomplished creative pairing, elevating what could have been a mediocre TV pitch into a compelling—and frequently frightening—tale of women under pressure.

In this Southern-fried bloodsucker saga, a family of reformed, rural nosferatu drink cattle blood before sending the bovine corpses off to their BBQ joint in town. Tragedy and mass quantities of alcohol strikes, forcing the clan—including a creepy, wheelchair-bound patriarch in the attic—to either reconsider its place in society or embrace its predatory nature. Rendered in jagged, disorienting black swaths by Lisandro Estherren, Redneck courses with volumes of personality and back story, and tearing into this epic-in-process should be an especially gratifying experience, especially if it includes more mind-reading juvenile vamps named Perry.

Not The Walking Dead -like zombies, mind you. Rather, these beings walk around and talk like normal people. That is, until the newly un-alive start acting out in bizarre, violent ways. Like the best TV, the world only becomes more defined and the story richer with each new installment. I proposed that loose groups of panels lack the linear bang of prose or film when it comes to big reveals and twist endings. His signature style of dynamic lighting and decaying texture has graced titles ranging from Creepy and Eerie to Heavy Metal and Hellboy in a career that spans half a century.

No other artist has been able to imitate his morbid facial expressions and surreal landscapes of fog and skeletons, and nor should they. Aside from a multi-part Greek tragedy, most stories average around six pages, and like the best horror, refuse to over-explain the occult violence that punctures each twist. Why a sentient graveyard swallows a brusque traveler or what the humanoid swamp rat is doing to that man is only for Corben to know, and for his art to reveal the most terrifying angles, amplifying the mystique to keep your nightmares thriving.

Editor: C. Cloonan, an artist herself, exercises precise, taut timing, and Belanger complements the claustrophobic script with uncomfortably intimate panels. The series also abounds in great Sorkin-style walk-and-talks that balance the visceral gore, and the sense of imminent danger from both within the ship and outside it holds readers in perfect suspense. Like a collaboration between David Cronenberg and Damien Hirst, The Squirrel Machine is a disturbing plunge into a gifted, singular mind.

In , a wave of children encountered supernatural threats that ring familiar to any horror nut: vengeful Japanese ghosts, vampires next door, dolls with wills of their own. Decades later, one of the survivors brings the others together to confront the return of an occult force from their youth.

The finale which clearly came unexpectedly soon introduces a complication to the lore that deserves expansion, but the extant story, capably illustrated by Kelly and fill-in artist Inaki Miranda, is a treasure trove of references for fans of the genre. He told us everything we thought we knew about the walking, talking mass of plant matter was wrong. Moore also brought a great deal of humanity to the Swamp Thing, and injected environmentalist issues into the monster series.

The Swamp Thing spends a large portion of the run struggling with his identity, trying to understand how much of the former humanity of Alec Holland still survives underneath his flora. A devotee of Junji Ito, cartoonist Emily Carroll serves up a hypnotic mixture of revulsion and dread, crafting stories that operate on multiple levels of horror.

They appeal to both the horror fans who enjoy the build of tension and those who enjoy its cathartic release. Her stark compositions, her elaborate layouts, the color palette influenced by bloated, festering corpses—Emily Carroll makes old-fashioned storybooks that are, most assuredly, not for kids.

Unrestrained by a movie budget, the four narratives span centuries, with tales flitting between the Irish witch trials, the expansionist west, old timey noir and a story set in the present. Getting your hands on an Al Columbia comic is as much of a horror story as reading one, thanks to his sporadic output and the general inaccessibility of the alternative presses that publish his work.

Thankfully, Columbia is real, and his distorted version of reality is uniquely uncomfortable.

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Terry seems like a lit fuse ready to set off a powder keg. He's sympathetic, but makes me worry for the future. I liked how Maberry built up Crow's character, giving him a well-rounded feel in his love of the macabre, blues music, his car, and his love for Val and his friends, not to mention his fundamentally good heart. I liked seeing both his strengths and weaknesses. He's a really good unlikely hero. I liked this a lot more than the crazy evil humans. I sort of wish this was played up a bit more.

Alas, it wasn't my story to tell, and who says I could tell it better than Mr. The menace isn't always clear-cut, but it's very apparent. That's definitely a plus in this novel. He's a good writer and I think he has some stories to tell. This one is an interesting story, although maybe not what I expected or wanted. It was a worthwhile read, and definitely a good one for reading in October.

I have the next two books, and I will read them since I want to see what happens next a good thing as Neil Gaiman has said. I'd also like to read other books by this author. I'd recommend this if you don't mind reading about loathesome human beings and like the small time vibe. Overall rating: 3. View all 7 comments. At first I didn't think this would keep my interest to the end as i am not much of a horror fan but it surprised me.

Nice buildup to the plot and just enough action to keep the story moving forward. I look forward to seeing how the writer ramps up the plot in book 2. Very recommended At first I didn't think this would keep my interest to the end as i am not much of a horror fan but it surprised me. Very recommended View all 4 comments. Dec 19, Lizz rated it it was amazing.

This immediately reminded me of Cold Moon Over Babylon. Something about the way my mind created the world linked the two. Maberry fleshed out lovable protagonists and antagonists I loved to hate. Of course he included an underdog to beat all underdogs. This story is an example of the journey being more important than the destination. Tom Weiner did an excellent job with the narration. May 02, Kasia rated it it was amazing.

When I first picked this book up I had no clue that I was up for a sweet week or saucy reading full of believable characters, little town secrets and dark nasty things slithering in the dark. Oh yeah, I forgot to mention that it also had some maniacs on the loose whose souls were blacker than that of the devil buried in the muddy pit and locals who grew up torturing each other under pretense of being holy.

After sixty pages Jonathan Maberry became my new favorite author amongst masters of terror When I first picked this book up I had no clue that I was up for a sweet week or saucy reading full of believable characters, little town secrets and dark nasty things slithering in the dark. After sixty pages Jonathan Maberry became my new favorite author amongst masters of terror who grace my shelves and forever wedged himself into my memory.

The things this man wrote were really good, he got into the minds of the bad characters the same way he worked the good souls, and the bad ones were truly evil, not afraid of death but like rock stars they were empowered by the rush walking the thin line between earth and the grave gave them. The weeks leading to Halloween in Pine Deep were supposed to be filled with crisp weather, rich harvest of the golden fields and scary fun that was the main attraction for the tourists.

Instead the crops went bad and terrors from the past came back to haunt our main characters; Malcolm Crow, Val Guthire and Terry Wolfe. Thirsty years ago they barely escaped with their lives, chased by a monstrous farmer, Ubel Griswold who seemed to be the devil himself covered in human flesh.

He was stopped but even death didn't seem to hold him back because in present time their nightmares are coming back and his name is on the lips of three mad men who come crashing through the town. This time our friends are against something more than a mortal enemy but an entity whose powers are from another time and world and who will make sure that the whole town ceases to exist after Halloween.

He will use his cronies, some who pretend to be friendly and wholesome and some who were freshly picked from the ground to do his bidding in the most gruesome way imaginable. This is the first tale in the trilogy that has all ready enchanted me. Presently I am half way done reading the next book in the series and I can barely sit without jumping, this stuff gets very exciting.

Maberry does a fantastic job creating characters that I care for and sadly, well excitingly I guess for me an even better job of destroying them one at a time. Luckily they are tough cookies and half the fun is reading how they fight evil, sometimes it takes one on one combat and other times it takes more of a mystical approach.

Great read and perfect for this time of year, happy Halloween! This is the first Jonathan Maberry novel I've read, and judging from the ratings of his later novels, he gets better as he goes. That's a really good thing, because Ghost Road Blues was pretty good. In fact, through most of this novel, I was very jacked about this guy. I had been looking over my to-read list in the hopes of finding something to satisfy my October horror cravings.

Not only did it deliver, but it was also set around Halloween. For most of this novel, Maberry drives forth with This is the first Jonathan Maberry novel I've read, and judging from the ratings of his later novels, he gets better as he goes. This made the story move along at a nice clip. And it genuinely creeped me out in parts.

That's a tough accomplishment with a 50 year-old reader who has 'seen it all'. The only thing that stops me from giving this five stars is a couple of issues I had: Firstly, I found the dialogue between Crow and Iron Mike to be a bit corny. Come to think of it, the corniness also spread to Crow and his girlfriend, Val, towards the end of the book. Another thing was an editing gaffe. This isn't a spoiler: In one chapter, Val leaves her father, and then a couple of chapters later, she leaves her father again All very minor quibbles.

I'm very much looking forward to reading Maberry again, and the next time will be with the second in this series. It looks like I haven't read the best of him yet, so that's something to be excited about. Armed Killers arriving in town after shooting their drug dealer rivals.

A nerd kid full of fantasy with a tragic prophecy on his blood beaten and abused by his stepfather. A former cop with an alcoholist past. A mayor and the ghost of his killed sister suggesting him to join her. Spooky pre-halloween atmosphere in a small Pennsylvania town. What is the Red Wave? Why the ghost of the mayor's sister wants his brother dead?

And so on hide spoiler ]. A more than decent october reading, but it was like reading something King or Koontz wrote in their starts and forgot it buried into a drawer. Not sure starting book two soon. Shelves: horror , audio , stoker-award. So that was a five hundred page beginning to a greater story that I will not be reading because I am NEVER impressed by a three hundred page book wrapped in five hundred pages. That five percent is a promise that if you read the next eleven hundred pages there will be more good Boo!

I'm going to pass. My review of So that was a five hundred page beginning to a greater story that I will not be reading because I am NEVER impressed by a three hundred page book wrapped in five hundred pages. View all 8 comments. Shelves: horror , audiobook , supernatural , contemporary.

This book was kind of like Diet Stephen King: no calories, half the flavor. Jonathan Maberry apparently scripts comic books too, and that was apparent in the melodramatic prose and the prolonged fight scenes in Ghost Road Blues. Thirty years ago, the small town of Pine Deep was victimized by a serial killer in what became known as the Black Harvest. A bunch of redneck cops killed the man they believed responsible, an itinerant black guitar-player known only as "the Bone Man," but in fact the Bone This book was kind of like Diet Stephen King: no calories, half the flavor.

A bunch of redneck cops killed the man they believed responsible, an itinerant black guitar-player known only as "the Bone Man," but in fact the Bone Man had already killed the real killer. Except he didn't because the real killer is a supernatural something-or-other who, of course, returns. As does the Bone Man, to give occasional dream-like warnings to the protagonists.

Hello Magical Negro. Now, Pine Deep is famous nationwide for its elaborate haunted hay rides, which basically turn the whole town into a horror amusement park every fall. A couple of survivors of the Black Harvest are still alive, but most of the town has forgotten or would like to forget about the origin of its highly profitable "scary" reputation. So, besides the repetitious and melodramatic prose, the characters were flat archetypes.

Malcolm Crow, a recovered alcoholic, is an ex-cop who runs a comic book store and has a black belt in jujutsu, and if the triumph-of-the-nerds point is missed, he befriends a fourteen-year-old boy who fantasizes about being a superhero while getting beaten at home by his stepdad. The main characters are likeable if cliche, but the villains, well, they're all not only evil, but Eeeeeeeevil!

First we have a trio of thugs running from a drug deal gone bad; the alpha-thug is a hyper-violent psychopath who spends much of the book dwelling on just how violently and evilly he's going to hurt people. There is the crazy tow truck driver who hears voices in his head and who turns into a cannibalistic serial killer without a qualm. And there is that evil stepdad who also turns out to be a minion of the Big Bad, but just in case being the willing servant of a demonic serial killer and beating his wife and stepson black and blue on a regular basis doesn't make him evil enough, Maberry underlines how really, really evil he is by offhandedly having him also publish a white supremacist newsletter.

You know, so we won't miss that he's really, really evil. So here's what really torqued me about this book: it's the first in a trilogy and it was obviously written with the next two books in mind, meaning, there isn't even an attempt to make it self-contained. We're given hints of the supernatural Unspeakably Bad Thing that's about to happen all through the book, but the entire novel is just a build-up. The author is putting the pieces in place for the real shit to go down in the next volume.

We meet the villains and the heroes, there is some intestine-chewing, and a few minor characters get kacked to jerk some tears, but oh boy, things are really gonna hit the fan in the next book! Umm, no thanks. It's not bad, if you like completely mainstream horror novels, but Maberry really does seem to be trying too hard to be Stephen King. While he's certainly a more economical writer and he gets to the point waaaay faster than Evil Stevie does, his characters have none of the dimensionality and gruesomely interesting detail that even King's villains possess, and Ghost Road Blues uses violent evil goons and a few maggoty gross-outs like a hammer.

A defter horror writer like King — yes I'm a fan, for all his flaws can convey spine-chilling dread with everyday objects or a half-remembered phrase from childhood. Maberry tries to do it by repeating ghoulish incantations over and over and over in the characters' heads. Ultimately, there just wasn't anything original here and definitely nothing scary, so I don't care enough about what happens to read the next book.

I started this book and some of my friends like it. When I was asked early on how I liked it I said it was okay so far but not great. When I said this other readers chimed in and said, "I loved this book, couldn't put down the series". Well I can If you like this I'm as always happy you found a book or books you like.

For me this hit several of my hot buttons for dislike and finally pushed me completely away. First this is for the majority of the book more a crime story with superna I started this book and some of my friends like it. First this is for the majority of the book more a crime story with supernatural window dressing than it is a purely supernatural horror story. Also we spend a great deal of time inside the minds I know that in many books that's a popular story telling device now, but I don't like it.

It causes me to skip over whole sections of some books I think I may have missed half of some of "Jack Daniels" books. Still it wasn't that which drove me to jump sections here. We also used the view spoiler [ hostage situation plot device. I hate the hostage situation. It combines boring stretches with sadistic events. It transmits frustration and helplessness into the story, not things I read novels for Even that is not what pushed me to jumping forward.

It was the scenes of Mike 14 year old Mike being beaten I don't think that's a spoiler as it doesn't tell you anything you won't find out early on and it goes on and on and on The scene when the step dad hit Mike with his fist for the first time and then carried on with the beating is a long and lovingly detailed one. Frankly I hate it and don't plan to follow this series.

At least not till I heal a bit from this one. Why does it get 2 stars instead of one? Because the writer did make me hate Vic the step dad The story does go on and set up it's supernatural story and I am sure what really pushed my buttons won't others. The story ties up but leaves questions which will apparently be dealt with later. But not by me. I don't care enough to follow this one up. If I ever do it will be because there are moments that are pretty good.

For the moment I don't want anymore of the emotional abuse and cruelty that is so much a part of this story. Enjoy if it's for you. Nov 04, Kimberley Meier rated it really liked it. I recently came across an author I really like, Jonathan Maberry. I decided to read his Pine Deep trilogy. Jonathan Maberry uses a vibrant cast of characters and amazi I recently came across an author I really like, Jonathan Maberry. Jonathan Maberry uses a vibrant cast of characters and amazing description to draw you into the secrets of Pine Deep and it's residents.

Action packed and just enough gore makes Ghost Road Blues a page turner that will be impossible to put down. Here's the excerpt from the back cover of the book: Evil Doesn't Die Pine Deep buried the horrors of its past a long time ago. Thirty years have passed since a serial killer sheared a bloody swath through the quiet Pennsylvania village.

Now residents and tourists enjoy the country's largest Halloween celebration in what is cheerfully called "The Spookiest Town in America". It Grows Stronger But a month before Halloween it begins again. And an ancient evil walking the streets, seeking to shred the very soul of this vulnerable community.

Yes, the people of Pine Deep have faced a killer before. But this time, evil has many faces- and the lust and will to rule. And epic it was This series kept me guessing all the way to the end. Aug 30, Eleven rated it liked it. I'm ambivalent about the rest of the trilogy. This was like something Stephen King would have written before stashing it in a drawer so he could write something better. I enjoyed it but the Stoker win surprises me. Dec 01, Erth rated it it was ok. Right from the beginning I noticed that the editing is the worst that I've ever encountered in a novel.

There are verb tenses that are incorrect and even places that don't make sense like when they are using a digital camera and the author says they used it until the shutter wouldn't work because the film ran out. When the author tries to make a dramatic point he goes on and on to the point where I say to myself "OK, already, I got it.

It is a supernatural thrille Right from the beginning I noticed that the editing is the worst that I've ever encountered in a novel. It is a supernatural thriller set in a small town. His character development is good but some of the towns people characters get away with things that would not be tolerated in the real world such as Vic's extreme domestic violence that everyone knows about.

Nov 29, Richard K. Wilson rated it really liked it Shelves: terrifying-and-evil , extreme-violence , devil-worshippers , teens-in-peril , horror , hauntings , ghosts , halloween-attractions , creature-features , new-classics. This is a beautiful, and classic Horror novel!

Maberry's BEST book and series ever! Don't pass this one up! Read it! With this being the first book in a trilogy, I originally read it when it first came out, and that was back in , and it had just been awarded the Bram Stoker Award for Best First Novel That was the year of the Black Harvest; when all the fruits and crops of Pine Deep rotted and died on their vines. Yes, that was 30 years ago, and now the town celebrates every year by hosting the biggest Haunted Hayride in the U.

For this year, 3 psychopathic killers have come to hide out in Pine Deep and to get what is theirs, and the towns people have no idea of what is about to occur in their small and 'Spooky little town! Ghost Road Blues opens with the local high school football jock and his girlfriend along with a trailer load of their friends enjoying a scary weekend night, along the trail at the hayride.

Then, the sounds of a killer and screams of bloody terror erupt as they all witness one of their finest being yanked and dragged to his death right in front of their eyes!! This begins the story of Ghost Road Blues, and yes, though this does not end at the end of this book The writing of these characters is intense, it is beautiful and horrifying all at the same time. You will be able to feel the fall winds, and hear the rustle of the maple leaves as you hear the eerieness of the soul stirrings sounds of a string guitar, as it plays deaths song.

Welcome to Pine Deep. Jan 20, Alondra Miller rated it it was amazing Shelves: books-i-own , favorites , horror , paranormal-creatures. Well, wwell, well Kinda cliche' isn't it? I mean everyone writes about it, and it gives a good story. I think Mr. Maberry writing it, makes it a great story.

A nice twist on small town murder and mayhem. It is about the darkness. The evil that resides there. The devil down the street that everyone pretends is not there. People willing to live in a cocoon and pretend everything is all right. We will cover it up, ignore it and No, no; evil 5 Stars!! No, no; evil never dies, it only fades, then simmers until it is well-done. It comes back. This little town reminds me of Stephen Kings Derry, Maine. So much death and blood on one little towns hands, and all the fixins' for a fantastic story.

No one has captured this for me as a reader until Jonathan Maberry, and I love it. I am so ready for the next installment.. Damn, I miss you Pine Deep. I really enjoyed this book, my first by Maberry. It was very well written with terrific charecters and a creepy plot that holds you to the end and makes you want to pick the next one up right away. The main bad guy, Karl Ruger, is very nasty and very funny at the same time.

Looking forward to reading more about him in the next books. Highly recommended. Jul 08, Yodamom rated it really liked it. The evil deed will not go unpunished thirty years into the future the horror starts again. It is a visually written dream, that is done perfectly It is not overly descriptive, but leaves vivid images.

I loved this novel, and can't wait to read the two sequels. This is true horror written at it's best. I read this book during the summer, and maybe I should have waited until Halloween season for the proper effect. I liked it alright, but wasn't impressed enough to want to continue the Pine Deep series.

First and foremost, a warning. This book does not have an ending. Not really. I mean, it's not a cliffhanger, per se, but it's not a self contained story, either. This is one of those trilogies which is really just one story broken into three parts. This pisses me off. I was, at one point in the book, considering bumping this up to 3 stars, but that was entirely contingent on the ending. It loo First and foremost, a warning. It looked like it was going to be a whopper of a conclusion - that all the disparate parts and points of view would come together, after the slow, slow set-up, into one hell of a final battle.

But, as I said, there is no final battle And I've read reviews of the next book and it sounds like there isn't much forward momentum to that book, either So - I honestly don't know that I'll continue. It was a decent enough read, and interesting in its own way - but I never latched on to any of the characters, or felt enough menace from the story, to really feel invested in continuing what seems might be a slow slog to the actual ending of the story, at the tail end of the last book.

Maberry clearly channels King in some ways - in the shifting points of view, and even the way chapters are broken into sub-parts - but he lacks King's turn of phrase and also King's ability to make the character seem real and relatable. I mean, you can see glimmerings of it, but it's not quite there.

Also, I felt jarred by certain parts which were just told badly. Inconsistently plotted, I guess. Things I felt should've been caught in editing, at least. Such as at the end of one chapter, we're told a character is running towards a house, and then it cuts to different PoVs. When we get back to this character, she is not running towards the house, but instead leaning over a character in the field, and she goes through a bunch of stuff before she then ends up going back to the house.

This sort of thing happens several times, but this was the most egregious example that I can recall. It was just really jarring. Anyway - It's not a terrible story, but I feel like it could be a lot tighter, and I'm still pissed off that it's not a stand alone story. I like to read the first book and have it stand on its own merits and then decide, from there, whether to continue or not.

A homocidal psychopath, a religious lunatic who thinks he's Jesus, and a mechanic who beats up kids. These are the instruments an evil entity uses to turn a little backwater town on its head. Maberry writes with pace and the chapters are short enough to keep you turning pages.

The characters are well developed and the action is suspenseful. The question is whether this first instalment of a three book series does enough to get the reader to read the second book. Well, I'm not exactly rushing to th A homocidal psychopath, a religious lunatic who thinks he's Jesus, and a mechanic who beats up kids. Well, I'm not exactly rushing to the bookstore to get the entire collection in the Pine Deep series. I will probably read the second book at some point in time, but I might also just forget to.

For me the characters are simply not interesting enough, although they are developed. I think Maberry's mistake is that he polarises his characters into the dichotomy of good or evil. The bad guys are bad to the bone with no redeeming qualities, while the good guys are so likeable it bores you to death. In a sense it makes them less real, and for me it was hard to relate.

There is also one huge flaw. One of the scenes, where a minor character is murdered, is described twice: once from the victim's view and a few chapters later from the killer's view. The second time you have to go over the scene is a bit tedious, mainly because the only reason is to show you how the killer thinks.

In my opinion the same could've been achieved if Maberry did any other victim from that point of view. I skimmed through the chapter, and I think I could've skipped it completely and missed nothing. This does not mean that Ghost Road Blues is unreadable. This novel has a lot of suspense, snappy and clever dialogue, concise but vivid description, and a distinct horror element. I enjoyed reading it. But at the same time it's also pretty forgettable, like a TV series you might follow because nothing else is on during that time slot.

Therefore I'm neither recommending it nor giving it a thumbs down. Read it and make up your own mind. Not what I expected. Based on the blurb, I thought this would be some kind of paranormal horror novel, but that was only kind of true.

Ghost Road Blues is about a town with a history of evil - both the supernatural and natural kind. Decades before, a monster I inferred a werewolf based on the physical description, but I don't think it was ever stated is going around killing the townies. As a thank you for his trouble, the town police accuse him of the murders and kill him on the spot. After many years the evil and the blues man have awakened, and both are working to influence the living.

You're probably thinking, so what's the problem? John Campbell - Love's Name. Jake Green Band - Dark Clouds. Dom Martin - The Rain Came. Todd Sharpville - Legacy of Greed. Julian Sas - Anything. Jimmy Warren Band - Mean Mistreater. Burnside - Hard Time Killing Floor.

Captain Beefheart - Same Old Blues. Eric Mcfadden - Headed for the Light. Jeff Strahan - Southern Jeans. Michael Locke - Cost of Lovin'. Blues Hangvoer - Slow Blues and Whiskey. William Clarke - Drinking By Myself.

One Dime Band - Nobody's Dog. Sherman Robertson - Make It Rain. Aron Burton - Cold, Cold Feeling. Mick Kolassa; Annika Chambers - Fever. Blackbox Zero - Crossroads. Rawa Blues Band - Broken Mirror. Townes Van Zandt - Mr. Mudd And Mr. Uncle Sinner - Let the Devil In.

Byther Smith - 35 Long Years. Lane - Bleeding Heart. Johnny Winter - Life Is Hard. Tony Joe White - Boom Boom. King - Backwater Blues. John Hammond - Clap Hands. Long John Hunter - Still Blue. Epi K. Tinsley Ellis - Kiss Of Death. Johnny B. Moore - Lonesome Blues. Dan Granero - My Baby. Hubert Dorigatti - Memphisto. Luther Allison - Last Night. Parker Millsap - Old Time Religion. Colter Wall - Sleeping on the Blacktop. Mick Kolassa - Nothin' Left to Lose.

Mud Morganfield - Son of the Seventh Son. Terry Evans - Natcha Bone Lover. Ian Siegal - Moonshine Minnie. Albert Castiglia - Quit Your Bitching. Eilen Jewell - Fourth Degree. Tyler Childers - Whitehouse Road Live. Kilborn Alley - Going Hard. The Silver Dimes - Doin' Time. Kim Wilson - Blue and Lonesome. Blues Beatles - Let It Blues.

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